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"Anthrostrata" delves into the deep layers of history, bridging the ancient city of Troy with the shifting continuum of past, present, and future. It envisions the human spine as a timeline, where each vertebra represents a distinct stratum of civilization, culture, and memory, built upon one another over centuries. Just as Troy unveils its hidden narratives through its archaeological layers, Anthrostrata suggests that humanity itself is a living museum, where time accumulates within us, shaping and reshaping our understanding of identity and heritage.
The human spine transcends mere anatomy, transforming into an architectural form that binds us to time and space, embodying both strength and fragility, evolution and decay. It acts as a vertical axis standing between the Earth's deep strata and the cosmos, between memory and possibility. This connection underscores how each era leaves its imprint on the next, transmitting human experience like a living fossil record across the ages.
Extending beyond physical form, the artwork incorporates a luminous layer projected onto the museum's façade. This ethereal layer serves as a bridge between the tangible and the spiritual, reflecting the interplay between the seen and unseen, the past and potential futures. By visually blurring the line between reality and imagination, it asserts that the future is not fixed but a continuously evolving layer in itself.
The light projection creates a temporal tension—an interplay between materiality and impermanence—where its glow becomes a metaphor for the ever-shifting nature of time, memory, and heritage. By weaving the museum’s architectural spine into its fabric, Anthrostrata establishes a dialogue between humanity and its environment, emphasizing our role in shaping the future. The artwork becomes a living, breathing entity—a testament to the timeless yet ever-evolving relationship between self, history, and what lies ahead.
Note: The title Anthrostrata combines “anthro-” (referring to humans) and “strata” (layers), evoking the concept of human layers or the strata of time and existence shaped by humanity.
Additional Note: Unlike conventional video mapping designs, this biennale highlights a unique contemporary work that redefines architectural projection. Instead of using video to emphasize the building’s form, the projection reflects the structure's own materiality onto itself, reinforcing its iconic texture.